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https://w.atwiki.jp/linux_kai/pages/59.html
Total - (Today - Yesterday - ) 最終更新日 2011/05/08 10 08 XLink Kai for Linux(x86)のKai設定(XLink Kai Configuration)についてのまとめ この例でのKai設定の方針は次の通りです。 日本語を文字化けさせずに正しく扱えるようにする Kai設定ファイルはユーザーのHOMEディレクトリ以下に置く これが絶対ではなく使用環境にあわせて調整してください。 たとえばホームディレクトリ以下にプログラムごとまとめて置いてしまう方法もシンプルです。 よくあるエラーを別ページにまとめているので、そちらも参照しながら設定するといいでしょう。 旧内容ページ 1.Kai初回起動とKai設定1.1.Kaiの起動 1.2.Kaiの設定 2.Kai設定後のKai関係ファイル一覧 コメント 1.Kai初回起動とKai設定 まずはKaiを起動します。不幸にも起動しなかった場合はKaiエラー編も参照してください。 1.1.Kaiの起動 kaiengineを実行します $ /usr/local/bin/kaiengine.sh まだkaiUserConfig.txtファイルが存在しないとき、ブラウザ起動後にはログイン画面が表示されます 登録済みのXTagとパスワードを入力してログインします XLink Kai画面が表示されたら、おそらく最初はGeneral Chatモードです Kai画面の左上隅に表示されているKaiロゴ画像(緑色の円状のマーク)をマウスで押下して、Kai Configuration画面を表示します Kai Configuration画面は、パネルに表示されているXLink Kai Engineアイコンをマウスで右クリック、メニューから「設定(KaiConfiguration)」を選択することでも表示できます。 ただしパネルのKaiアイコンから起動するブラウザはrootで実行されることに注意してください。 Kai初回起動時やKai設定Auto Launch UIをOFFにしていないときに実行されるブラウザはroot権限で動作しています。 Ubuntu 11.04では、デスクトップがUnityのときパネルにKaiアイコンは表示されません。Unity-2DまたはClassicのときKaiアイコンは従来通り表示されます 1.2.Kaiの設定 Kai Configuration画面で必要な項目を設定します User Interface Web UI Access Password Web UI Skin jp_custom Auto Launch UI 必ずOFFにする。ONにするとroot権限でブラウザが起動されるため使い勝手が悪い上、環境によっては日本語入力ができなくなる Network Settings Network Adapter wlan設定編で設定済みのインタフェースを選択する Port 準備編で設定済みのポートを指定する Deep Port 準備編で設定済みのポートを指定する Web UI Port 34522 Proxy Server Enable PAT Default Profiles profile Language Settings Character Set Japanese Language English Engine Settings Default XTag (Username) 登録済みのXTagを入力する Default Password 登録済みのXTagのパスワードを入力する Close Engine After Never Auto Login ON Close Engine when UI Closes OFF Allow Remote UI Connections ON Auto Open Chat 2.Kai設定後のKai関係ファイル一覧 一通り、Kai設定が済んだあとのファイル一覧の例です。 ファイル名 内容 備考 /home/$USER/XLinkKai/jp_custom.zip WebUI用のスキン jp_custom以外にも各種あります好きなデザインのスキンを使いましょう /home/$USER/XLinkKai/kaiEnginePersist.txt Kaiエンジンキャッシュファイル XTagとフレンドリストが保存されます /home/$USER/XLinkKai/kaiUserConfig.txt Kaiユーザー設定ファイル XTagとパスワードが記録されます。パーミッションが644,root rootなので気になる場合は修正したほうがいいでしょう /home/$USER/XLinkKai/webui.zip WebUIファイル /usr/local/bin/kaiengine Kaiエンジン本体 Kaiエンジンは32-bitアプリケーションです /usr/local/bin/kaiengine.sh Kaiエンジン起動スクリプト 以上でKai設定は終わり。 上へ戻る コメント 全体を修正 -- kar (2011-05-08 10 08 12) 名前 コメント
https://w.atwiki.jp/mrfrtech/pages/93.html
Market Scenario The global Identity And Access Management Market has been expected to increase at a CAGR of 13.50%, with a value of USD 35.71 billion during the estimated forecasting year of 2030. The demand for identity and access management market is gaining traction due to the ring of regulatory compliances and security concerns. It also matters more than the increasing cloud adoption is one of the most important factors responsible for the growth of the identity and access management market sectors around the world. However, the integration of advanced technologies like blockchain as well as artificial intelligence into the identity and access management market solutions has been expected to raise the growth of the entire market sector within the upcoming time. It allows the organizations to manage the lifecycle of the identities like employees, contractors and vendors. Cloud technology is changing the way of business and other essential work while it is driven by cost efficiency and the economics of sale. Furthermore, the lack of effective security can undermine the benefits of cloud computing. This marks the fundamental need for security solutions that include security for identity-related crimes, and thus it drives the market for identity and access management. Secure the networks, and the digital assets have become an important component of every business. Hackers do not only commit the data breaches, but the individuals also commit many within an organization who have access to sensitive parts of the networks or facilities. Among these types of cloud deployment used in the market, the public cloud accounted for the largest share due to its increased adoption across the verticals. Due to the spread of the epidemic, the organizations have adopted remote work culture and cloud technology to mitigate the impact on the business operations. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/2635 Competitive Outlook The key participants identified by MRFR operating in the global identity access management market are– F5 Networks (U.S.), Amazon Web Services (U.S.), HP (U.S.), IBM (U.S.), Microsoft Inc. (U.S.), Oracle Corporation (U.S.), Siemens AG (Germany), Dell Inc. (U.S.), CA Technologies (U.S.), ForgeRock Inc. (U.S.) among others. Segmentation The global identity and access management market has been divided into solutions, deployment, organization size, end-user verticals and regional analysis. The solution section further divides the market into five parts identity cloud, identity governance, access management, directory services, and other solutions. The deployment section further divides the market into three parts on-premise, hybrid and cloud-based. As per the organization part, the entire market has been segmented into two categories large enterprises and small medium enterprises. The identity and access management market is further classified into eight sections BFSI, IT telecom, education, healthcare, retail, energy, manufacturing, and other end-user verticals with end-user verticals. As per the regional basis, the market is divided into five parts Asia-pacific, Europe, North America, South America, and Middle East Africa. Regional Analysis Over the last few times, several data breaches have been reported in the Northern American region. These breaches have affected several end-user segments ranging from IT and telecom, healthcare, to the energy sector. The data breach affected around 2.7 million people and 173,000 businesses. The leaked information includes names, addresses, birth dates, email addresses and information about the transaction habits. Besides this, the region's healthcare sector also can defend against the cyber threats that its employees seriously undermine. Industry News In Canada, the prevention of attacks on organizations, the IT budgets of the companies increased by 11% between 2014 and 2017. In the United States, the IT sector has spent on security solutions to reach USD 66 billion. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/identity-access-management-market-2635 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Similar Report***** Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/futuremarketinsights/pages/10.html
Nowadays, speed of life that has escalated to mind boggling levels, having a leisure breakfast is a thing of the past, especially in rapidly developing and developed countries. As per comprehensive research done by Future Market Insights in the year 2019, more and more individuals prefer convenient breakfast alternatives that can be eaten on the go or in the workplace. Fast-paced lifestyles and rising women s involvement in the workforce and longer travel times are both driving demand for on-the-go breakfast products around the world, especially in the fast-growing Asia-Pacific region and the developed regions of the European Union and North America. Furthermore, growing urbanization and the notion of nuclear families make working women juggle domestic and work duties and as a result, there is little time to make or have a leisurely breakfast, as the urban population fights increasing commutes and a lack of time. All these factors contribute significantly to the success of quick easy-to-eat and safe on-the-go breakfast products as compared to sugar cereals. Growing demand for prepared goods generates a need in food beverage retail stores to expand the presence of on-the-go breakfast products. For leading F B firms, producing ready-to-eat edibles has become profitable as advanced innovations continue to deliver cost-effectiveness in processes of processing, preservation and packaging. The demand for on-the-go breakfast items is rising at an unparalleled rate globally, suggesting that customers from around the world prefer fast-made but balanced breakfasts such as oatmeal or yoghurt cereals. The biggest problem, however is that there have been many shortcomings in global distribution for on-the-go breakfast products that shorten the supply chain and limit the presence of such products in consumer retail outlets. However, the delivery of on-the-go breakfast items products is projected to be inconsistent in several regions, which is hampering the global market s overall growth. Compared to developing areas, customers in developed countries are more knowledgeable about on-the-go breakfast items. Manufacturers are known to opt for limited distribution networks such as social outlets and e-tailing sites in developing countries such as Brazil, China and India, amongst others. As a result due to less prevalence in other distribution networks, the distribution of on-the-go breakfast items in these regions is weakened. In addition, in contrast to other ready-to-eat products, pricey on-the-go breakfast products often sidetrack customer preferences with respect to packaged breakfast products. Source- https //www.futuremarketinsights.com/reports/on-the-go-breakfast-products-market [[https //www.futuremarketinsights.com/ ]]
https://w.atwiki.jp/touhoukashi/pages/834.html
【登録タグ Alstroemeria Records PLASTIK WORLD 曲 美里 遠野幻想物語】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/4987.html
【登録タグ CHICACO ESQUARIA G iDolization 曲 石の赤子と水中の牛】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/1134.html
【登録タグ 5150 R シンフォニック東方Ⅱ 亡き王女の為のセプテット 曲 龍5150】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/linux_kai/pages/53.html
Total - (Today - Yesterday - ) 最終更新日 2011/05/21 11 10 XLink Kai for Linux(x86) 7.4.18のインストールのまとめ Linux版kaiengineはダウンロードして展開するだけの簡素なものです。 インストーラやreadmeなどもぜんぜん付いていません。 使い方は自由なのですが、この例では次の方針で説明しています。 日本語チャットを文字化けさせずに読み書きできるようにする kaiengine(アプリ)とKai設定ファイル(データ)は別々のディレクトリに分ける これは一例に過ぎません。使用環境にあわせて調整してください。 こういう使い方はどう??というのがあったら、コメントにどうぞ。 1. Kai設定ファイル用ディレクトリの作成 2. ja_JP.SJISロケールの追加 3. kaiengineのインストール 4. wxGTKライブラリの追加 5. kaiengine起動スクリプトの作成 6. WebUIカスタムスキンの追加6.1. /skinコマンドによる追加 6.2. 手動での追加 コメント 1. Kai設定ファイル用ディレクトリの作成 HOMEディレクトリに.XLinkKaiディレクトリを作成します。 このディレクトリ以下にパスワード等が記録されるkaiUserConfig.txtファイルを置くことにします ディレクトリを作成します $ mkdir ~/.XLinkKai 2. ja_JP.SJISロケールの追加 日本語チャットできるように、ja_JP.SJISロケールを追加します。 ロケール追加の方法がディストリビューション毎に異なる場合があるため、別ページにしました。 ja_JP.SJISロケールの追加方法 3. kaiengineのインストール Linux版kaiengineには、Windows版やMacOSX版のようなインストーラ(readmeすらありません)は付いていません。 XLink Kai 7.4 for Linux (x86) をダウンロードして展開するだけです ダウンロードします $ cd ~/Downloads $ wget http //www.teamxlink.co.uk/binary/kaiEngine-7.4.18-linux-x86.tgz 圧縮ファイルを展開して、実行ファイルをPATHの通っているディレクトリ( たとえば /usr/local/bin/ )にコピーしましょう $ tar zxvf kaiEngine-7.4.18-linux-x86.tgz $ sudo cp kaiEngine-7.4.18/kaiengine /usr/local/bin/ 4. wxGTKライブラリの追加 kaiengineを動作させるのに、wxGTKライブラリが必要です。 追加の方法がディストリビューション毎にだいぶ異なります。これも別ページにしました。 wxGTKライブラリの追加方法 5. kaiengine起動スクリプトの作成 スクリプトの内容がディストリビューション毎に異なるので、別ページにまとめました。 kaiengine起動スクリプトの作成方法 6. WebUIカスタムスキンの追加 WebUIに便利機能を追加するツールをインストールします。 インストールの方法は2通りあります、お好きな方法ででどうぞ。 6.1. /skinコマンドによる追加 Kai起動してからチャット入力欄で "/skin jp_custom" ( " の引用符は付けない )と入力して[Enter]します 6.2. 手動での追加 jp_customスキンファイルをダウンロードします $ cd ~/Downloads $ wget http //www.xlink-jp.net/software/WebUI-skin.zip 圧縮ファイルを展開して、jp_custom.zipファイルを~/XLinkKaiディレクトリにコピーします $ unzip WebUI-skin.zip $ sudo cp ./WebUI-skin/jp_custom.zip ~/XLinkKai KaiConfig画面において、jp_customを設定します 以上で、kaiインストールは終わり。 上へ戻る コメント jp_customスキンの/skinコマンドによる追加方法を加筆、全体を少し修正 -- kar (2011-05-21 11 10 34) 名前 コメント
https://w.atwiki.jp/mrfrtech/pages/90.html
Learning Management System Market Overview The global Learning Management System Market has been expected to increase at a CAGR of 21.20%, with a value of USD 42.31 billion over the forecasted year of 2027. The learning management system is a web-based application that assists in implementing and administering online training and learning programs. It provides numerous features like a customizable user interface, social learning, mobile compatibility, automation, pre-built and custom courseware and blended learning. It also offers a seamless experience on the front and back, improved efficiency, support for multiple learning methods, and valuable insights. As it is fast, productive, cost-effective and helps to improve learning, the demand for the learning management system market is escalating across the world. The increase in the adoption of the learning management systems for online learning and the inline classes to reduce the costs and the increase in convenience act as major drivers for the market. In addition, the increase in the penetration of smartphones coupled with the fast internet connectivity, rise in the preference among the consumers for the learning management systems and massive adoption of this system among the educational institutes accelerate the learning management systems market growth. However, the high prices of courses and unstable internet connections in the remote areas decrease the market's growth. The demand for smart and interactive learning platforms like electronic learning, open online courses, mobile education and online tutorials is rising remarkably with the growing preference for training and learning sessions. The educational institutes adopt tools to support and enhance the learning process and teach efficiencies. At the same time, the novel coronavirus pandemic caused the temporary closure of the entire market sectors around the world. The crisis has dramatically changed the entire education system, and it has escalated the demand for online learning platforms. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/1858 Competitive Landscape The global market report discussing the challenges of the learning management system market includes latest changes initiated by companies like Blackboard, Inc. (U.S.), Edmodo (California), SAP SE (Germany), IBM Corporation (U.S.), Oracle Corporation (U.S.), McGraw-Hill Education (U.S.), Xerox Corporation (U.S.), D2L Corporation (Canada), Cornerstone On demand, Inc. (U.S.), and Saba Software, Inc. (U.S.). MRFR analysts have included a study of these changes to understand how the market can proceed further. Segmentation The global market has been segmented into five basic categories user-type, deployment model, delivery mode, application, and regional analysis. With the user type, the market is divided into two categories academic corporate. According to the deployment model section, the market is further divided into cloud-based and on-premise. By the delivery mode, it is further classified into two sections distance learning and instructor-led training. As per the application section, the learning management system market is classified into four parts administration, content management, performance management, etc. With the regional analysis part, the global market has been classified into five parts Asia-Pacific, Europe, North America, South America and Middle East Africa. Regional Analysis The driving factor for the growth of the learning management system market in North America is the presence of the learning management system platform pioneers like Docebo and iSpring, which successfully offer services to big and SMEs. The mobile learning initiatives and the policy implications in America indicate that the mobile learning efforts in Canada and the United States are generally school or district-led. North America is likely to hold the market for the learning management system due to the rising of high-tech activities across the entire region. The United States has a large number of colleges and universities. These factors would create huge opportunities for the players to expand their businesses in such a region. The Asia-Pacific is likely to showcase the strongest growth ever in the forecast period. China, India, Japan, Indonesia, Australia and several other developing regions focus on investing in the online education sectors. Industry News In February 2020, the Chinese e-learning leaders like TAL Education Group and GSX Techedu had raised around USD 3.2 million to promote e-learning technology across the entire region. Access Report @https //www.marketresearchfuture.com/reports/learning-management-system-market-1858 Table of Content 1. Report Prologue 2. Introduction 2.1 Definition 2.2 Scope of The Study 2.2.1 Research objective 2.2.2 Assumptions 2.2.3 Limitations 2.3 Market Structure Continued… List of Tables Table 1 Global Learning Management System Market (Usd Billion) Table 2 Global Learning Management System Market, By Services Table 3 Global Content Management Market, By Region Table 4 Global Performance Management Market, By Region Table 5 Global Administration Market, By Region Continued… List of Figures Figure 1 Research Process Figure 2 Drivers of Global Learning Management System Market Figure 3 Global Learning Management System Market By Services (%) Figure 4 Global Learning Management System Market By Application (%) Figure 5 Global Learning Management System Market Share By Region 2020-2027 (%) Continued… Similar Report***** Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com/
https://w.atwiki.jp/kuchikicola/pages/21.html
Academic 学者 E148 Occ-3 職業 序 0+点 テキスト This card counts as 2 Occupations for Minor Improvements and when scoring the "Reeve" Occupation card. 注釈 このカードのプレイ自体は職業1つ分のプレイとして数える。(BookShelf[本棚]など) 評価1 評価2 小進歩の職業条件を1つ早く満たすためだけのカード。 強力な小進歩を早く出せるのは強そうな気もするが、このカード自身は何も生まないのでペイされる状況が非常に限られることに注意。 「数R早く出せる」というだけで2点以上得する状況は少ない。大抵の場合は素直に他の職業を2つ出すほうが強い。 ただ、たとえば「手札にSwanLakeがあるが職業は2つしか出せておらず他に出す価値のある職業もない」という状況であれば AcademicをプレイすることでSwanLakeが出せるようになるので1手2点と見ることはできる。
https://w.atwiki.jp/sanbgoo/pages/22.html
San Francisco Rush Extreme Racing ARC 1996 Atari Games N64 1997 Midway / Atari Games PS 1998 Midway / Climax http //www.klov.com/game_detail.php?game_id=9427 http //www.arcade-history.com/?n=san-francisco-rush-extreme-racing page=detail id=2308 http //www.system16.com/hardware.php?id=781 gid=545#545 http //www.arcadeflyers.com/index.php?page=thumbs db=videodb id=936 http //en.wikipedia.org/wiki/San_Francisco_Rush 【ARC】 YouTube - san francisco rush +←動画はここ 【N64】 YouTube - San Francisco Rush - Track 1 +←動画はここ YouTube - San Francisco Rush - Track 2 +←動画はここ YouTube - San Francisco Rush - Track 3 +←動画はここ YouTube - San Francisco Rush - Track 4 +←動画はここ YouTube - San Francisco Rush - Track 5 +←動画はここ YouTube - San Francisco Rush - Track 6 +←動画はここ YouTube - San Francisco Rush - Track 7 (Alcatraz) +←動画はここ YouTube - San Francisco Rush - Papy Land +←動画はここ YouTube - San Francisco Rush (N64) - Name Entry music +←動画はここ Tags 1996 ARC Atari Atari Games Climax Midway N64 PS San Francisco Rush San Francisco Rush Extreme Racing